I was commissioned by SPRK Lighting to create a package of conceptual renders illustrating how they might dynamically light a go-kart track for a client with dozens of go-kart facilities across the US.

I was honored to work alongside John Kelton of Kelton Design and Phillip Ratliff of Backstory Educational Media to create a full package of conceptual renders for Vulcan Park & Museum in Birmingham, Alabama. The creative team turned to me to conceptualize several reimagined exhibit spaces, focusing on history, inclusivity, and accessibility.

Created by Lightswitch, Lumystica is a dazzling touring event of circus-inspired fun. I created three pieces of highly-stylized concept art, reminiscent of traditional block print posters but with a fittingly modern and funky twist. The art depicts a kaleidoscopic hall of mirrors; a room of circled circus wagons and shimmering astral lanterns; and an interactive game featuring an old-time circus organ!

Working as a contractor under Lightswitch and FractaVisual, I rendered three pieces of concept art representing a gorgeous holiday event hosted by the historic Long Island park. Each image depicts a separate space in the garden: the West Pond, adorned with floating lanterns; the Lily Pond, with magically-glowing water lilies; and the central promenade, with a canopy of spectral lights.

For a course on 3D modeling for concept art taught by Luc Steadman of Steadman Design Studio, I designed this hypothetical theme park land as an imagined 1920’s Boardwalk built by the crabs, birds, and other small animals that reside by the seaside.

I conceived this hypothetical haunt attraction in part as a way to challenge myself to render concept art in different historical art styles; in this case, 1800s-inspired pen and ink. I’ve always appreciated haunted attractions that 1) imply a larger world/lore and 2) actually give the guest an active role instead of reducing them to victims or onlookers.